El rebab, rebap, rabab, rebeb, rababah, o al-rababa) es un instrumento de cuerda frotada, expandido por el Magreb, Medio Oriente, partes de Europa, y el Lejano Oriente. El rebab (del árabe الرباب, es un instrumento de cuerda que consta de una caja de resonancia pequeña, usualmente redonda, cuyo frente es cubierto con una membrana de pergamino o piel de oveja, y de un mástil largo acoplado. Posee una, dos o tres cuerdas. El arco es usualmente más curvado que el del violín. El término está testificado desde el siglo X por el musicólogo al-Farabí. Incluye una familia muy amplia de instrumentos desarrollados en la antigüedad que incluye diversos instrumentos musicales.

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The rebab (Arabic: ربابة‎‎, variously spelled rebap, rabab, rebeb, rababa and rabeba, also known as جوزه jawza or joza in Iraq) is a type of a bowed string instrument so named no later than the 8th century and spread via Islamic trading routes over much of North Africa, the Middle East, parts of Europe, and the Far East. The bowed variety often has a spike at the bottom to rest on the ground (see first image to the right), and is thus called a spike fiddle in certain areas, but plucked versions like the kabuli rebab (sometimes referred to as the robab or rubab) also exist. Besides the spike fiddle variant, there also exists a variant with a pear-shaped body, quite similar to the Byzantine lyra and the Cretan lyra. This latter variant travelled to western Europe in the 11th century, and became the rebec. This article will only concentrate on the spike-fiddle rebab, which usually consists of a small, usually rounded body, the front of which is covered in a membrane such as parchment or sheepskin and has a long neck attached. There is a long thin neck with a pegbox at the end and there are one, two or three strings. There is no fingerboard. The instrument is held upright, either resting on the lap or on the floor. The bow is usually more curved than that of the violin. The rebab, though valued for its voice-like tone, has a very limited range (little over an octave), and was gradually replaced throughout much of the Arab world by the violin and kemenche. The Iraqi version of the instrument (jawza or joza) has four strings.

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