Un griot o jeli (djeli o djéli en francés) es un narrador de historias de África Occidental. El griot cuenta la historia como lo haría un poeta, un cantante de alabanzas o un músico ambulante. Un griot es un depósito de tradición oral. Como tal, en ocasiones se le conoce como bardo. De acuerdo a Paul Oliver en su libro Savannah Syncopators, "aunque [el griot] debe conocer muchas canciones tradicionales sin equivocación, también deben contar con la habilidad de improvisar sobre acontecimientos actuales, hechos casuales y todo aquello que le rodea. Su ingenio puede ser devastador y su conocimiento de la historia local, formidable". Aunque son conocidos popularmente como 'cantantes de alabanzas', los griots pueden utilizar su habilidad vocal también para contar chismorreos, sátiras o hacer comentarios políticos. Los griots se pueden encontrar en la actualidad en multitud de países de África Occidental, como Malí, Gambia, Guinea, Mauritania y Senegal, y están presentes entre los pueblos mandé (mandinka, malinké, bambara, etc.), fulbé (fulani), hausa, songhai, tukulóor, wolof, serer, mossi, dagomba, árabes mauritanos y multitud de otros grupos más pequeños. La palabra deriva de la transliteración francesa "guiriot" de la palabra portuguesa "criado", término masculino singular para "sirviente". En las lenguas africanas, los griots son conocidos mediante un sinfín de nombres: jeli en las áreas mande del norte, jali en las áreas mande del sur, guewel en wolof o gawlo en pulaar (fula). Los griots forman una casta endogámica, y la mayoría solo contrae matrimonio con otros griots. Quienes no son griots, normalmente no interpretan del mismo modo que ellos.

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A griot (/ˈɡri.oʊ/; French pronunciation: ​[ɡʁi.o]), jali or jeli (djeli or djéli in French spelling) is a West African historian, storyteller, praise singer, poet and/or musician. The griot is a repository of oral tradition and is often seen as a societal leader due to his traditional position as an advisor to royal personages. As a result of the former of these two functions, he is sometimes also called a bard. According to Paul Oliver in his book Savannah Syncopators, "Though [the griot] has to know many traditional songs without error, he must also have the ability to extemporize on current events, chance incidents and the passing scene. His wit can be devastating and his knowledge of local history formidable". Although they are popularly known as "praise singers", griots may use their vocal expertise for gossip, satire, or political comment. Griots today live in many parts of West Africa and are present among the Mande peoples (Mandinka, Malinké, Bambara, etc.), Fulɓe (Fula), Hausa, Songhai, Tukulóor, Wolof, Serer, Mossi, Dagomba, Mauritanian Arabs and many other smaller groups. The word may derive from the French transliteration "guiriot" of the Portuguese word "criado", or masculine singular term for "servant". These story-tellers are more predominant in the northern portions of West Africa. In African languages, griots are referred to by a number of names: jeli in northern Mande areas, jali in southern Mande areas, guewel in Wolof, gawlo in Pulaar (Fula), and iggawen in Hassaniyan. Griots form an endogamous caste, meaning that most of them only marry fellow griots and that those who are not griots do not normally perform the same functions that they perform. Francis Bebey writes about the griot in his book African Music, A People's Art (Lawrence Hill Books): "The West African griot is a troubadour, the counterpart of the medieval European minstrel... The griot knows everything that is going on... He is a living archive of the people's traditions... The virtuoso talents of the griots command universal admiration. This virtuosity is the culmination of long years of study and hard work under the tuition of a teacher who is often a father or uncle. The profession is by no means a male prerogative. There are many women griots whose talents as singers and musicians are equally remarkable."

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